Film Review: Hearts Beat Loud

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Hearts Beat Loud is a wonderful light hearted comedy set in Brooklyn about an ageing hipster musician who forms an unlikely band with his daughter before she heads off into college.

Frank (Nick Offerman) is a longtime widower and single father who runs a struggling record store in Red Hook, Brooklyn which he’s about to lose due to the lack of customers, and despite the support from his landlord love interest Leslie (Toni Collette).

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During a weekly jam session with his daughter Sam (Kiersey Clemons), Frank secretly records a song they did and loads it up on a streaming service which becomes a hit. His only challenge is to convince Sam to give up college so they can give their band a shot.

Frank is faced with life challenges – his on again off again relationship with Leslie and his shoplifting mother who has early signs of dementia.

Heats Beat Loud has a wonderful supporting cast which includes: Ted Danson, Sasha Lane and Blythe Danner. This is a wonderful comedy with great natural performances from the whole cast. The music is catchy but not too commercial, written by Keegan DeWitt and performed by the two stars. 8/10

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Photos by Eric Lin/GunPowder & Sky and Hearts Beat Loud.

Directed by Brett HaleyDrama, 1hour 37m

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Diversity Spotlight interview with filmmaker – Matthew Victor Pastor

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Matthew Victor Pastor (MVP) is an Australian filmmaker of Filipino heritage. An alumnus of the prestigious Victorian College of the Arts, his Master’s film I am JUPITER I am the BIGGEST PLANET (part 1 of the Filipino-Australian trilogy) was awarded Best Director. Bill Mousoulis the founding editor of Senses of Cinema has described Pastor as “the most dynamic young filmmaker I’ve come across in 35 years of indie film watching in Australia.”
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In 2013 he released MADE IN AUSTRALIA an independent feature film. It was awarded Best Guerrilla Film at the 14th Melbourne Underground Film Festival. In 2017 he released BUTTERFLY FLOWER (71 mins), an experimental feature film. At the 2018 Sinag Maynila Film Festival MELODRAMA / RANDOM / MELBOURNE! (81 mins), was awarded Best Original Score, and was met with positive reviews in Rappler amongst other publications. A pending release is MAGANDA: Pinoy Boy vs Milk Man (97 mins). These two films conclude the Filipino-Australian trilogy. Also in post-production is Repent or Perish (85 mins), which is the story of a young gay Filipino-Australian and his conservative family during the 2017 same-sex marriage plebiscite. I had the privilege to interview him for this month’s Diversity Spotlight.
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JH: What is your approach in order to make an outstanding three features in 15 months?

MVP: Social media and human are one. It’s how we communicate, and our news feed is directly linked to our emotions. It was while making MELODRAMA / RANDOM / MELBOURNE! (2018) a feature about relationships in the digital age, I decided to transform into a filmmaking machine. I threw away the conventions of filmmaking to be freer. In some way we are all now content creators, we are always making video and image for our audience. My preferred content is a narrative film, the ultimate status update!

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JH: What would most people like to know is how do you find funding for your film? Do you fund them with your own money or is it mainly sponsorships and grants?

MVP: Although I’ve received grants in the past, at this output it’s recently privately or self-funded. The positives about this method are that I keep 100% creative integrity. Melodrama is about a Filipino feminist documentarian and the misguided men around her, MAGANDA! Is about a drug-addicted filmmaker,Repent or Perish! Is about a young gay Filipino, his drug dealing sister and was made during the SSM plebiscite. We have just finished filming A Bigger Jail, about a violent man (who likens himself to an ‘Asian Jesus’) who is released from prison after 20 years. For these stories to be done justice with authenticity, our team needs complete creative control, something we retain since we do it modestly.

JH: Who were your role models growing up? 

MVP: It’s probably been said too many times but man, Jackie Chan. In terms of my aesthetic Shunji Iwai (Film Director).

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JH: How do you find your stories?

MVP: I feel if I’m not emotional about a topic it won’t have weight on the screen. For example with one of my soon to be released features Repent or Perish! (2018) we literally filmed during the SSM plebiscite. It was during an argument with my conservative Christian parents I decided to save my anger and frustration and write a script. Completed in February I am so proud of our brave Asian-Australian cast for telling a story that needs be told.

 JH: What makes a good film script? What motivates you to produce it?

MVP: If the idea has a visceral reaction in me, it’s worth pursuing. Recently my trigger emotion is fear, so I write from anxiety and fear. I’ve found solace for my own pain through watching films that I relate to, so this is my way of giving back.

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JH: What is your casting process?

MVP: Casting actors from our finally growing pool of talent in Melbourne has always been a tough process (especially with Asians)! I have a family of brave diverse actors who I’d like to do a shout out to. Celina Yuen, Alfred Nicdao, Bridget O’Brien, Yuchen Wang, Chi Nguyen, Kevin Pham, Slone Sudiro, Glenn Maynard, Joseph J, Rachel E. Zuasola, Michelle Ryel, Carol Pastor, Lisac Pham, Elliot Ng, Charlie Dao, Charlotte Nicdao, Khoa, Rachel Cecilio & Berlin Lu. When making a new film I cast from the family, and ask these people whom I trust for recommendations.

JH: What do you think about the state of Australian films and TV at the moment in terms of diversity? Do you think there’s been a change in recent years?

MVP: I’m seeing so much talent and it makes my job as a writer/director much easier. Are these talent getting a chance? I’m more interested in truth. Representing truth in the story comes from POC writers/producers/actors living inside their skin day in and out and telling it how it is. Movies like Crazy Rich Asians or shows like Fresh off the Boat mean so much to our growing communities and globally! We need more truth in Australia. Take a walk around Melbourne and see the truth. Take the truth and compare that with what gets screen time in mainstream media. Our eyes don’t lie.

JH: What is your current project?

MVP: We have just finished our first feature for 2018 titled A Bigger Jail (aka misery extravaganza) The film stars fellow VCA graduate Yuchen Wang amongst an amazing ensemble cast of Asian Australians. As for the second half of the year, I will head up to Sydney to collaborate with fellow Filipino-Aussie Felino Dolloso, who has written a great story which he will also star in!

JH: What is your goal? Where do you see yourself in 10 years time?

MVP: Dead or a filmmaker. My goal is to live for another 10 years!

 

Photos were provided courtesy of Zhuo Yang, Evangeline Yin & Matthew Victor Pastor.

Diversity Spotlight: Interview with Andy Trieu (SBS)

Andy Trieu, is an Australian host, actor and martial artist. He was born in Canberra, Australia to Vietnamese parents. Originally a martial artist, Andy expanded his repertoire from competing in tournaments to performing in roles across stage and screen. He has acted and presented on the on programmes such as Kitchen Whiz as the Kitchen Ninja, minor role in Rescue: Special Ops and Crime Investigations. He has also appeared on SBS network shows Houso’s, Bollywood Star and is a current a host on SBS PopAsia. He also acted in the 2015 ABC TV comedy Maximum Choppage as Fury and has just finished a comedy series for Channel Ten called “Street Smart” which  airs in August.

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JOY: What made you want to get into the film/TV industry?

ANDY: Jackie Chan! I watched a lot of Kung fu movies.

I first got cast in a small Martial Arts film and I caught the performing bug from there. I also got my start being a Ninja on a kids TV show,  “Kitchen Whiz” . After 495 episodes there was no turning back… Ninjas don’t turn back.

JOY: Who were your role models growing up & why?

ANDY: Jackie Chan!

But when I started my career in presenting I looked up to Anh Do. He’s had a great career playing roles that suited his personality and skill sets and I guess I wanted that.

He was such a household name that you could tell people you were “Trying to Anh Do” if they asked you about future aspirations.

I also like a lot of the SBS presenters like Lee Lin Chin,  Marc Fennell, Jan Fran, Mark Humphries. They do great work and it’s very inspiring.

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JOY: How did you get started in your career?

ANDY: Well I had time and I said “Yes” A LOT. If anyone had something for me to do I would do it…hold a boom pole, be a camera assistant, dance like monkey… I would do it. I eventually built up a portfolio of work and got an agent and started landing work after every first audition.. BOOM! Just kidding…it took me more than 30 auditions before I could land an acting job and those roles were like “Asian Tourist Guy 2”. #livingthedream

Saying “Yes” and dancing like a monkey eventually helped me build contacts in the industry and I was given the opportunity to work on projects like Tomorrow When the War Began, Wolverine, Hacksaw Ridge, and finally Home and Away (Asian Tourist Guy 2). Getting my start in TV has been thanks to the good people I’ve met that believed in my weirdness. Those people for me were producers Matthew Boughen and Monica O’Brien who gave me opportunities on commercial networks and Maddy Fryer at SBS.

JOY: Do you think there’s a positive change in the TV/Film industries for more diversity?

ANDY: Yes! There is definitely a demand for ethnic stories and diverse faces on screen that reflect our community. It’s looking up every year, more contributions of a diversity of cultures to the continuing development of Australian society.

JOY: What are you working on now?

ANDY: I just completed a comedy series for Channel Ten called “Street Smart” which  airs in August! I’m also coming on my 5th year at SBS, hosting and creating segments for SBS PopAsia, Australia’s number #1 destination for Asian Pop and Pop culture. Other than that a Kung fu TV show in the pipeline 😉

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JOY: What is your dream role & why?

ANDY: Other than my amazing job right now I have two. One would be to lead an action Kung fu comedy show and the other would be to host a fun lifestyle travel program. I think boarding these two projects would seem like I had gone full circle.

JOY: Where do you see yourself in 10 years time? What do you think you’ll be doing?

ANDY: I’ll stil be here buddy…still here explaining to my parents why I don’t have a real job.

JOY: What’s your advice for graduates / up and coming actors trying to get in the industry?

ANDY: I would say take control. Start building a portfolio of work, whether that’s creating it for youtube or helping others with their projects.

Get out there and meet people. You never know, you might meet someone that recognises your potential and are willing to make sacrifices to see you get there.

Finally, work on yourself. Take Acting classes, yoga, gym, pilates, meditation, pole dancing….wait. Focus on staying positive and oozing good energy because that will make you amazing to work with!

Anyway hope to see you on set.

Photos courtesy of Andy Trieu.

Writers Actors Talk about diversity and change with Joy Hopwood, Alice Pung and Aileen Huynh

Joy Hopwood’s interview with Michael Wang.

Video link below

  Writers – Actors Talk (documentary) 8 mins

 

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DOCUMENTARY DIRECTED BY MICHAEL WANG.

The purpose was to create something engaging, creative and shareable that would explore themes which were important and timeless. To better inform young Australians growing up of who came before them and what lessons they can learn from those who came before them. Recognising how paths in life can be challenged and different ways pitfalls can be managed to become successful in the performance arts, publication and film/TV industry.

Michael Wang is an online digital marketer who is born and raised in Melbourne. Working at his own consultancy Marketandpress.com he creates engaging video and advertising campaigns helping businesses improve their growth. For all this work is geared towards fulfilling his greater life’s purpose of becoming a feature-length filmmaker. He is a budding filmmaker who creates unique engaging stories and pieces of content and regularly enjoys uploading them to his personal portfolio at Huristic.com

A Very Lovely thanks to the Guest Speakers: Aileen Huynh, Joy Hopwood & Alice Pung.

Produced by the Victorian Multicultural Commission in Association with Swinburne University.
Special thanks to the team: Director Of Photography Jake Evans. Advisors Vincent Giarrusso, Helen Kapalos for you guidance.

Working with Us:
Michael Wang – Michael@MarketandPress.com
https://www.instagram.com/huristic/
https://www.facebook.com/huristic.com.au/

Jake Evans (jake_evans16@hotmail.com)

Joy Hopwood – https://www.youtube.com/channel/UCd7E7HS4wYqGKrqisPGnHaA
https://www.instagram.com/joyhouseproductions/

Aileen Huynh – sydney@hansencreative.com.au

Helen Kapalos – https://www.multicultural.vic.gov.au/about-us/commissioners

https://www.instagram.com/multiculturevic/

Vincent Giarrusso – http://www.swinburne.edu.au/health-arts-design/staff/profile/index.php?id=vgiarrusso

Remembering actor John Mahoney

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When I heard that actor John Mahoney died last week, it felt like a relative had passed away in the family. Mahoney’s warmth and endearing presence on the hit TV show, Frasier, had touched and moved me in the late nineties. I felt a part of me had died when I heard this news. He played Frasier’s father, Martin (Marty) Crane, a retired cop whose character was honest, a down to earth family man, with a big heart and a wonderful captivating laugh.

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Along with Kelsey Grammer and David Hyde Pierce, who played his sons, Mahoney had driven the Emmy-laden sitcom to its position as one of the highest-rated shows on television at the end of its fifth season. He was remembered alongside Eddie, his beloved dog, who used to constantly stare at Frasier.

My favourite Marty Crane episodes included the one where Frasier tried to replace his old, duct taped chair with a new one and Marty gave a heart felt speech stating that his old chair meant the world to him because of the memories it brought to him of his late wife and when Frasier was born. Another favourite episode was when he mimicked Daphne whining, as she desperately wanted to change her hair style like Princess Di but didn’t. And finally an earlier episode when he had just dyed his hair to look younger for a date and the hair dye was dripping at the back and had left marks on the head rest of a chair and he didn’t want to move because he didn’t want his date to discover he had dyed his hair.

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INTERESTING FACTS ABOUT JOHN MAHONEY 

What I didn’t know about Mahoney was that he had a daily mantra. This was revealed in an interview with Francis Guinan, when he talked about his play Rembrandt (in Chicago Tonight). Every day he used to say, “Dear God let me treat everybody, including myself. with love, respect and dignity.” He has said that he wasn’t a religious person but a spiritual one and believed in being “kind and nice as you can be.” It was important for him to be liked, because then he knew that he was fulfilling his mantra.

In the mid 1980’s he suffered from colon cancer (and later lung and throat cancer) and wasn’t able to have sex following a colostomy, so he didn’t want to be involved with anyone because he didn’t want to be a burden, so he chose to be single for the rest of his life. (What a kind, selfless man he was.)

And for the past 20 years, Mahoney spent Christmas at the home of Chicago theatre producers Jane and Bernie Sahlins: “It’s Christmas dinner for Jews and atheists and other alienated people,” says Patinkin, who also attended. “We drink, we sing Christmas carols, we put on silly hats, and we have a really nice time.”

 

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ABOUT JOHN MAHONEY 

John Mahoney was born Charles John Mahoney in Bispham, Blackpool, England (June 20, 1940 – February 4, 2018). He moved to the U.S. in 1959 when his sister Vera agreed to sponsor him and he studied at Quincy University, Illinois. He taught English at Western Illinois University and then served as an editor for a medical journal. Mahoney wasn’t satisfied with his career and so it wasn’t until he was 37 that he started acting. He took acting classes at St. Nicholas Theatre, which inspired him to resign from his day job and pursue acting full-time. It was after a stage production in Chicago in 1977,  when John Malkovich encouraged him to join Steppenwolf Theatre. Mahoney won the Clarence Derwent Award as Most Promising Male Newcomer, then later Broadway‘s Tony Award for Best Featured Actor in a Play for his performance in John Guare‘s The House of Blue Leaves. His first major film role was in the 1987 for Barry Levinson film Tin Men. He went on to have roles in films in the 1980s and 1990s, including Moonstruck, Eight Men Out, Say Anything…, In the Line of Fire, Reality Bites, and The American President appeared in two Coen brothers films, Barton Fink and The Hudsucker Proxy. He then appeared on Cheers (in a guest role) from which Frasier was a spin off series. Here he made a huge impression on the producers and Kelsey Grammer and was then asked to play Martin Crane on Frasier from 1993 to 2004.

MEMORABLE MAHONEY QUOTES

“I don’t want to be someone people feel they have to take care of and look after and entertain and make sure I’m happy. I can’t stand the thought of that.”

When he was asked about settling down with someone, he said that time has passed. “I just don’t have time for it, to tell you the truth,” Mahoney said. “And I’m of an age now where I think that, closing in on 60, I’m resigned to the fact that a good book and a CD and a glass of Jameson’s is probably going to be my companionship for the rest of my life.”

“The theatre is my brothers, my sisters, my father, my mother, my wife,” Mahoney has said. “It is everything to me.”

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THANK YOU JOHN MAHONEY for the laughs and for the inspiration. You’ll be greatly missed. I’ve learnt a lot from you and may your legacy live on.

 

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WHAT I’VE LEARNT FROM JOHN MAHONEY

It doesn’t matter if you’re 20, 30, or 40, finding the value of being curious about everything you don’t know and following a passion or a hobby (as long as it gives you joy) and taking calculated risks in your life can pay off. As long as you’re happy and true to yourself and show respect to others – that’s the answer to good mental health and longevity.

Also self check – keep a healthy ego by respecting other people and yourself and don’t sweat over the small things in life because life’s too short. We’re all equal after all and part of the human race.

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Photos courtesy of NBC, Frasier, Kelsey Grammer, Michael Brosilow / Steppenwolf Theatre), Dailyovation, Brandon Ramos & Jamie Divecchio Ramsay.

 

 

Film Review – I, Tonya

 

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I, Tonya is based on the true story of controversial 1990’s figure skater Tonya Harding played by Margot Robbie. This is a dark comedy with lots of mature content as Harding was seriously abused by both her mother, LaVona (Allison Janney) and boyfriend/husband, Jeff Gillooly (Sebastian Stan). There are some heavy, dramatic, jaw dropping scenes where the audience screamed and squirmed with anguish as the scenes of abuse were depicted realistically, with intense emotional impact.

The movie presents a pretty bleak view of Tonya’s upbringing and the intense scrutiny she was under by the media and the public when she rose to compete at her highest level- the 1994 Winter Olympics, and the attack on her rival, Nancy Kerrigan (Caitlin Carver).

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The real-life Harding has given I, Tonya, her approval, as the film portrays her as a person shaped by abandonment, abuse and is empathetic to her fighting spirit, as she was often looked down upon, being a girl brought up by a single mother with very little money. All she wanted was to be loved as her life was often plagued with abuse, rejection and disappointment. Harding has said that in the film version she didn’t go up and confront the judges about her skating scores, she did that privately in real life, and that she doesn’t swear as much as the film portrayed her to be, that was obviously for dramatic effect.

The film was made with a $11 million budget, and Margot Robbie is impressive with her skating ability and her dedicated, heart felt, gutsy portrayal of Harding. Robbie even herniated a disc in her neck while skating and was so overwrought filming a violent scene with her on screen husband (Sebastian Stan) that she stormed off the set screaming. The film is enhanced with special effects in a few key places – the triple axels and adding more people in the audience.

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Overall the film is impressive with Australian director Craig Gillespie at the helm as the whole cast is outstanding, performance-wise, and they all resemble the actual real-life people they portray. Snippets of them are showed at the end of the movie and during the closing credits. Margot Robbie and Allison Janney deserve to be nominated for the SAG and the Oscars – fingers crossed they’ll win. I rate this movie 8.5/10.

Photos courtesy of I, Tonya, the movie, LuckyChap Entertainment.

 

 

 

 

Film Review – The Greatest Showman

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Hugh Jackman plays PT Barnum, the 19th-Century huckster and circus impresario. A slick musical with upbeat songs by La La Land’s Benj Pasek and Justin Paul, script written by Jenny Bicks & Bill Condon and directed by Michael Gracey. The Greatest Showman is a rags-to-riches fairytale, starting with a glimpse of his childhood as a poor tailor’s son in Connecticut and in the space of one song, Barnum has grown up, married his sweetheart, played by Michelle Williams, and settled into an office job.

His wife and two daughters are content with what they have and are too virtuous to care about money. Barnum dreams of making the world a more magical place and spreading joy, so he opens the American Museum in New York. First he fills it with waxworks and stuffed animals, and then, on the advice of his daughters, he rounds up a roster of “unique people”: a bearded lady (Keala Settle), a dog-faced boy, a tattooed man, giant man and various other hipsters who are given the opportunity to be proud of their unique attributes.

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Ticket sales are soon soaring and he has to put up with snobs looking down at him, shouting their disapproval, calling it a freak show. What he desperately wants is to be accepted into high society and that’s when he employs a moneyed playwright, Phillip Carlyle (Zac Efron), to class up his act, but Carlyle gets tongues wagging when he holds hands with a black trapeze artiste (Zendaya). Barnum then arranges for a classical soprano, Jenny Lind, (Rebecca Ferguson) to tour America’s grandest concert halls. He risks everything and tours with Lind which takes him away from his family. Barnum soon gets carried away with success and himself as there are rumours that their relationship is more than professional. One night when celebrating with Lind, Barnum realises the importance of family and leaves her on her own. This causes great drama on tour and back at home where all hell breaks loose. Can he save himself, his family and his business?

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My favourite lines in the film are “Every one of us is special” and “nobody is like anyone else.” It takes great nobleness to spread joy.

Its messages are all positive: don’t judge people by their backgrounds; follow your dreams; family and friendship are more important than money and success.

Hugh Jackman is outstanding and is supported by a wonderful ensemble cast. A great start to 2018 -“Feel good movie of the year!” Congratulations to the writers – Jenny Bicks and Bill Condon.

8.5/10

The Greatest Showman Trailer