Film Review: Hearts Beat Loud

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Hearts Beat Loud is a wonderful light hearted comedy set in Brooklyn about an ageing hipster musician who forms an unlikely band with his daughter before she heads off into college.

Frank (Nick Offerman) is a longtime widower and single father who runs a struggling record store in Red Hook, Brooklyn which he’s about to lose due to the lack of customers, and despite the support from his landlord love interest Leslie (Toni Collette).

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During a weekly jam session with his daughter Sam (Kiersey Clemons), Frank secretly records a song they did and loads it up on a streaming service which becomes a hit. His only challenge is to convince Sam to give up college so they can give their band a shot.

Frank is faced with life challenges – his on again off again relationship with Leslie and his shoplifting mother who has early signs of dementia.

Heats Beat Loud has a wonderful supporting cast which includes: Ted Danson, Sasha Lane and Blythe Danner. This is a wonderful comedy with great natural performances from the whole cast. The music is catchy but not too commercial, written by Keegan DeWitt and performed by the two stars. 8/10

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Photos by Eric Lin/GunPowder & Sky and Hearts Beat Loud.

Directed by Brett HaleyDrama, 1hour 37m

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Diversity Spotlight: Interview with Andy Trieu (SBS)

Andy Trieu, is an Australian host, actor and martial artist. He was born in Canberra, Australia to Vietnamese parents. Originally a martial artist, Andy expanded his repertoire from competing in tournaments to performing in roles across stage and screen. He has acted and presented on the on programmes such as Kitchen Whiz as the Kitchen Ninja, minor role in Rescue: Special Ops and Crime Investigations. He has also appeared on SBS network shows Houso’s, Bollywood Star and is a current a host on SBS PopAsia. He also acted in the 2015 ABC TV comedy Maximum Choppage as Fury and has just finished a comedy series for Channel Ten called “Street Smart” which  airs in August.

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JOY: What made you want to get into the film/TV industry?

ANDY: Jackie Chan! I watched a lot of Kung fu movies.

I first got cast in a small Martial Arts film and I caught the performing bug from there. I also got my start being a Ninja on a kids TV show,  “Kitchen Whiz” . After 495 episodes there was no turning back… Ninjas don’t turn back.

JOY: Who were your role models growing up & why?

ANDY: Jackie Chan!

But when I started my career in presenting I looked up to Anh Do. He’s had a great career playing roles that suited his personality and skill sets and I guess I wanted that.

He was such a household name that you could tell people you were “Trying to Anh Do” if they asked you about future aspirations.

I also like a lot of the SBS presenters like Lee Lin Chin,  Marc Fennell, Jan Fran, Mark Humphries. They do great work and it’s very inspiring.

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JOY: How did you get started in your career?

ANDY: Well I had time and I said “Yes” A LOT. If anyone had something for me to do I would do it…hold a boom pole, be a camera assistant, dance like monkey… I would do it. I eventually built up a portfolio of work and got an agent and started landing work after every first audition.. BOOM! Just kidding…it took me more than 30 auditions before I could land an acting job and those roles were like “Asian Tourist Guy 2”. #livingthedream

Saying “Yes” and dancing like a monkey eventually helped me build contacts in the industry and I was given the opportunity to work on projects like Tomorrow When the War Began, Wolverine, Hacksaw Ridge, and finally Home and Away (Asian Tourist Guy 2). Getting my start in TV has been thanks to the good people I’ve met that believed in my weirdness. Those people for me were producers Matthew Boughen and Monica O’Brien who gave me opportunities on commercial networks and Maddy Fryer at SBS.

JOY: Do you think there’s a positive change in the TV/Film industries for more diversity?

ANDY: Yes! There is definitely a demand for ethnic stories and diverse faces on screen that reflect our community. It’s looking up every year, more contributions of a diversity of cultures to the continuing development of Australian society.

JOY: What are you working on now?

ANDY: I just completed a comedy series for Channel Ten called “Street Smart” which  airs in August! I’m also coming on my 5th year at SBS, hosting and creating segments for SBS PopAsia, Australia’s number #1 destination for Asian Pop and Pop culture. Other than that a Kung fu TV show in the pipeline 😉

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JOY: What is your dream role & why?

ANDY: Other than my amazing job right now I have two. One would be to lead an action Kung fu comedy show and the other would be to host a fun lifestyle travel program. I think boarding these two projects would seem like I had gone full circle.

JOY: Where do you see yourself in 10 years time? What do you think you’ll be doing?

ANDY: I’ll stil be here buddy…still here explaining to my parents why I don’t have a real job.

JOY: What’s your advice for graduates / up and coming actors trying to get in the industry?

ANDY: I would say take control. Start building a portfolio of work, whether that’s creating it for youtube or helping others with their projects.

Get out there and meet people. You never know, you might meet someone that recognises your potential and are willing to make sacrifices to see you get there.

Finally, work on yourself. Take Acting classes, yoga, gym, pilates, meditation, pole dancing….wait. Focus on staying positive and oozing good energy because that will make you amazing to work with!

Anyway hope to see you on set.

Photos courtesy of Andy Trieu.

Theatre Review: Going Down written by Michele Lee

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Michele Lee is to be congratulated for writing a brilliant play, Going Down which cleverly deals with topical issues in a comical way. The main one being whether writers from migrant backgrounds should be forced into writing migrant stories that don’t belong to them. That is something which Natalie Yang, (played by Catherine Davies) a Hmong-Australian writer, is faced with.

Natalie goes on a book tour all the way to rural Victoria to promote her memoir, Banana Girl which receives a lukewarm reception by her audience of three, who is horrified by the amount of sex involved. They point out how much they admire Lu Lu Jayadi (played by Jenny Wu), whose memoir about her experiences as a refugee has made her a literary icon and why doesn’t she do the same? Natalie rejects the migrant narrative and decides, while on a wild night out with her friends Tilda (Naomi Rukavina) and Matt (Paul Blenheim), to write about her sex life and makes the brash decision to write 100 cocks in 100 nights. 

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Catherine Davies is outstanding, playing super energised Natalie, which is like watching her run a marathon throughout the play, due to her highly physical performance. It’s not until the end when Natalie reunites with her mother that we see a softer, gentler, empathetic side to her character. Jenny Wu is also to be commended for her versatility in playing multiple roles that are distinctive – I loved watching her play Lu Lu Jayadi (Natalie’s arch-nemesis) to a poor homeless woman to Natalie’s mother. Naomi Rukavina gives a powerful performance as Natalie’s friend. A wonderful touching moment is when she mops up Natalie’s face after she’s just barfed up a donut – here the tone of the play changes to a more peaceful one. Josh Price is hilarious and adds additional comedic undertones to the play. Paul Blenheim gives a convincing performance as Tilda’s on again, off again boyfriend.

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I loved the clever set design by The Sister Hayes, with the pull out bed under the stairs of the stage and the projection of tweets and texts. Congratulations to Leticia Caceres for directing such a entertaining play – the performances of the actors and the staging were outstanding.

8 / 10

Photos courtesy of Sydney Theatre Co

Sydney Theatre Company’s Going Down is at Wharf 2 Theatre until May 5 

Writers Actors Talk about diversity and change with Joy Hopwood, Alice Pung and Aileen Huynh

Joy Hopwood’s interview with Michael Wang.

Video link below

  Writers – Actors Talk (documentary) 8 mins

 

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DOCUMENTARY DIRECTED BY MICHAEL WANG.

The purpose was to create something engaging, creative and shareable that would explore themes which were important and timeless. To better inform young Australians growing up of who came before them and what lessons they can learn from those who came before them. Recognising how paths in life can be challenged and different ways pitfalls can be managed to become successful in the performance arts, publication and film/TV industry.

Michael Wang is an online digital marketer who is born and raised in Melbourne. Working at his own consultancy Marketandpress.com he creates engaging video and advertising campaigns helping businesses improve their growth. For all this work is geared towards fulfilling his greater life’s purpose of becoming a feature-length filmmaker. He is a budding filmmaker who creates unique engaging stories and pieces of content and regularly enjoys uploading them to his personal portfolio at Huristic.com

A Very Lovely thanks to the Guest Speakers: Aileen Huynh, Joy Hopwood & Alice Pung.

Produced by the Victorian Multicultural Commission in Association with Swinburne University.
Special thanks to the team: Director Of Photography Jake Evans. Advisors Vincent Giarrusso, Helen Kapalos for you guidance.

Working with Us:
Michael Wang – Michael@MarketandPress.com
https://www.instagram.com/huristic/
https://www.facebook.com/huristic.com.au/

Jake Evans (jake_evans16@hotmail.com)

Joy Hopwood – https://www.youtube.com/channel/UCd7E7HS4wYqGKrqisPGnHaA
https://www.instagram.com/joyhouseproductions/

Aileen Huynh – sydney@hansencreative.com.au

Helen Kapalos – https://www.multicultural.vic.gov.au/about-us/commissioners

https://www.instagram.com/multiculturevic/

Vincent Giarrusso – http://www.swinburne.edu.au/health-arts-design/staff/profile/index.php?id=vgiarrusso

Theatre Review: Black is the New White

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Black is the New White returns for 2018, after a successful season last year at Sydney Theatre Company, with all the characters we love. The only main cast change is Miranda Tapsell as the quirky fashion designer, Rose. Tapsell adds a youthful, vibrance to this season. The play is cleverly written by Nakkiah Lui who uses comedy to address serious issues affecting the Indigenous.

A comical love story about a hotshot lawyer, Charlotte Gibson, and her broke cellist, Francis Smith, who fall in love defying their parents. She is the daughter of Australia’s most prominent Aboriginal politician and he is the son of a conservative rival. The two are engaged and invite their families to meet, not knowing that their fathers are having a argument on Twitter. When they unite at a Christmas dinner, all hell breaks loose as the fathers’ long standing feud comes to a head. Secrets come pouring out and hypocrisies regarding race, gender, social class status and religion is exposed in a sharp-witted, humorous way.

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I particularly enjoyed and was entertained by Stokes’ stage entrance, Tapsell’s quirkiness and youthful energy she brought to Rose’s character and Vanessa’s final revelations, all thanks to Paige Rattray’s direction and Lui’s clever writing.

The play’s message is about class expectations, race and most of all – being true to yourself, not living according to society or family expectations.

Starring Shari Sebbens (Charlotte Gibson), Tom Stokes (Francis Smith), Tony Briggs and Melodie Reynolds-Diarra (Ray and Joan) Geoff Morrell and Vanessa Downing (Marie and Dennison Smith), Miranda Tapsell (Rose) and Anthony Taufa (Rose’s husband).

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Black is the new White is at Roslyn Packer Theatre from March 2nd, 2018.

http://www.sydneytheatre.com.au

 

 

 

 

 

Theatre Review: According to Otto

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World premiere of new Australian play – According to Otto
It’s Otto Brooks’ 16th birthday and he’s about to reveal his big secret to his family – he’s gay! 
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Otto has the usual family – parents who love and embarrass him, a Uni student sister, a loving Nana who’s disabled and loves to blurt out hilarious pop culture statements, and a best friend, Max, who he’s secretly in love with. Plus there’s a school bully out to get him, Otto has a lot to go through before he’s out and truly happy. Hence, “time to delve into the world according to Otto!” 
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This play is directed by Wayne Tunks and is well cast, particularly the lead role, Otto, played by Jasper Musgrave. Musgrave gives a strong, truthful performance as sixteen year old Otto coming out. He is supported by a wonderful ensemble cast. Tunks plays his father who is very caring and understanding towards him coming out and gives a powerful performance particularly in the scene when he’s confronting the principal.
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Another favourite scene of mine is where Otto’s mother is at work with a gay colleague, Simon who’s very camp, played by Andrew Wang. Together they have hilarious conversations about life and his cat. I love the staging and choreography of this play as it’s often stylised to give emphasis to the dialogue. Also diversity plays an important role in the storyline, which is a positive, as this reflects our modern society as it stands today.
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According to Otto is playing at Depot Theatre, 142 Addison Rd, Marrickville.
14th – 24th February 2018.
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Wayne Tunks is one the leading lights in the independent theatre world. His plays have been performed worldwide. His most popular plays include, “The Subtle Art of Flirting, The Bridesmaid Must Die, We’ll Always Have Wagga, The Girlie Show, Fag Boy & the Married Guy, Silvertop Ash, Everything I Know I Learnt From Madonna and this year’s hit plays, Bitch and Diva Wars. Wayne is a former storyliner on TV’s Neighbours, and in 2018 releases his web series, After Nightfall.
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Running time: 105 minutes including interval
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Producer: Wayne Tunks
Director: Wayne Tunks
Assistant Director: Daniel Pollock
Lighting Designer: Louise Mason
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Cast: Felicity Burke, Alice Furze, Cooper Mortlock, Jacinta Moses, Jasper Musgrave, Tasha O’Brien, Brendan Paul, Wayne Tunks and Andrew Wang

Diversity Spotlight – Interview with actor Max Brown

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Max Brown is an Asian Australian actor (half Chinese-Singaporean / Anglo-Australian) known for his television roles as Robin Dawal in Neighbours, David Goldman in Glitch Series 2 and Kevin Dang in Secret City and the feature film We’re Not Here To Fuck Spiders (2017).

JOY: What made you want to get into the film/TV industry?

MAX: Story telling. Everyone in the industry has personal goals, but I reckon one thing we share is that we all watched a film or TV show at some point in our lives that had an impact on us and we’re all looking to recapture the moment that moved us and give it back to audiences through story.

JOY: Who were your role models growing up & why?

MAX: I was a bit starved for Asian representation so I grew up identifying with the majority white characters and actors on my screen, but thanks to my Aunty bringing over Hong Kong DVDS when she visited, I got to grow up watching Brigette Linn and Adam Cheng. That recent scandal where the Hollywood Casting Director said Asian actors were expressionless? They obviously never got to see Adam’s charm or Brigette’s depth and presence on screen. I watched their movies again and again as a kid and I still have them on high rotation today. I’ll also add Dante Brasco from Hook as a childhood role model! Such a bad ass. Ru-fi-ooo!

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JOY: How did you get started in your career?

MAX: I actually wanted to be a director and someone told me the best directors knew how actors worked, so I took a part time NIDA course which was being taught by Sam Worthington; he ended up convincing me to ditch directing and give acting a go. My first professional gig was a small part on Home and Away, which involved some complex blocking with cars and guns on my first day…it was a steep learning curve!

JOY: Do you think there’s a positive change in the TV/Film industries for more diversity?

MAX: A lot of actor friends from diverse backgrounds who were struggling for ages are now getting auditions and booking roles and that’s not because they all coincidentally became better actors overnight, it’s because diverse roles are finally starting to be written. The key word there is “starting”. It’s not just about upping the numbers but specifically writing characters that challenge preconceptions across all minorities. I’ve still had to say no to racially stereotypical roles as recently as this year…so we still have a long way to go until we achieve true parity in the industry. But we’re on the right path.

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JOY: Who inspires you in the industry?

MAX: All my friends in this industry inspire me, because I see their constant struggle to be recognised and contribute. Watching them hold down multiple day jobs, deal with the constant rejection and disappointment while still pushing themselves to improve…that always amazes and inspires me.

JOY: What are you working on now?

MAX: Wrapped a small role on the second season of the ABC Netflix series Glitch earlier this year and just got back from LA where I was in the final rounds for a lead character in a TV new series.That was an opportunity that came about partly due to the push for diversity we’ve seen recently, they’re definitely looking for more Asian faces on screen internationally. Coming up, I have a role in a queer short film starring Ra Chapman from new director Chloe Wong. It’s a great script that pokes at society’s views on queer behaviour.

JOY: What is your dream role & why?

MAX: I’d like to remake one of those old Hong Kong movies like “Lover Beware” or “Swordsman II” which also starred Brigette- I think there’s nothing like them in the west and I’d love to bring the ideas and themes from the Chinese fantasy genre to a new viewership. Hero and Crouching Tiger opened that door but they both portray a very stoic interpretation of Asian heroic fiction, and I think the “smiling wanderer” trope would be fresh. It would be interesting to see how the role of a gender fluid character like the Dongfang Bubai would be cast today.

JOY: Where do you see yourself in 10 years time? What do you think you’ll be doing?

MAX: Hopefully I’ll be a lot healthier than I am now haha. But I’m the worst with plans…I have no idea what next year looks like let alone 10! Helping to redefine the depiction of Asians in Western media and diversity in general, would be great.

JOY: What’s your advice for graduates / up and coming actors trying to get in the industry?

MAX: I’ve heard people call acting a marathon, and I reckon that’s good advice. Beyond talent and skill, succeeding in this business is about not giving up and outlasting those who do. Its hard and you’re going to hate it and have no money a lot of the time, but if you want it bad enough, you’ll eventually get a chance. Never give up and be ready for it when it comes.