Writers Actors Talk about diversity and change with Joy Hopwood, Alice Pung and Aileen Huynh

Joy Hopwood’s interview with Michael Wang.

Video link below

  Writers – Actors Talk (documentary) 8 mins

 

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DOCUMENTARY DIRECTED BY MICHAEL WANG.

The purpose was to create something engaging, creative and shareable that would explore themes which were important and timeless. To better inform young Australians growing up of who came before them and what lessons they can learn from those who came before them. Recognising how paths in life can be challenged and different ways pitfalls can be managed to become successful in the performance arts, publication and film/TV industry.

Michael Wang is an online digital marketer who is born and raised in Melbourne. Working at his own consultancy Marketandpress.com he creates engaging video and advertising campaigns helping businesses improve their growth. For all this work is geared towards fulfilling his greater life’s purpose of becoming a feature-length filmmaker. He is a budding filmmaker who creates unique engaging stories and pieces of content and regularly enjoys uploading them to his personal portfolio at Huristic.com

A Very Lovely thanks to the Guest Speakers: Aileen Huynh, Joy Hopwood & Alice Pung.

Produced by the Victorian Multicultural Commission in Association with Swinburne University.
Special thanks to the team: Director Of Photography Jake Evans. Advisors Vincent Giarrusso, Helen Kapalos for you guidance.

Working with Us:
Michael Wang – Michael@MarketandPress.com
https://www.instagram.com/huristic/
https://www.facebook.com/huristic.com.au/

Jake Evans (jake_evans16@hotmail.com)

Joy Hopwood – https://www.youtube.com/channel/UCd7E7HS4wYqGKrqisPGnHaA
https://www.instagram.com/joyhouseproductions/

Aileen Huynh – sydney@hansencreative.com.au

Helen Kapalos – https://www.multicultural.vic.gov.au/about-us/commissioners

https://www.instagram.com/multiculturevic/

Vincent Giarrusso – http://www.swinburne.edu.au/health-arts-design/staff/profile/index.php?id=vgiarrusso

The Casting Game (feature film) by Joy Hopwood

The Casting Game poster sml

The Casting Game is an ensemble piece that highlights the journeys of a group of unconventional actors trying to make it big in Sydney, an Asian-Australian family trying to make a visiting relative feel at home with Might- T- mite and meat pies, and a seemingly ill-fated love.

Gary is a 35-year-old brick layer who has had no luck in love. On a night out with his high school mates – Lynn, Indigo, and Luke – he ends up in a bet to see if he can land a date with the next woman he sees. Along comes Sarah, a beautiful radio producer who is in a wheelchair.

Stacey Copas by Cassie Bedford sml

In a Love Actually meets Muriel’s Wedding in a modern day twist, this film explores what it means to find happiness and joy in a diverse, dynamic world, in a beautifully fun and meaningful way.

An Aussie story full of heart and triumph amongst a diverse group of friends, The Casting Game is a relatable story that tugs at our heartstrings while making us laugh. It reminds us that we can find belonging in unexpected places.

The Casting Game with director Pearl Tan sml

Writer / producer, Joy Hopwood, wrote the screenplay just under two weeks after watching an Australian film last September in 2016 and was inspired to write something just as good with diversity at the forefront!

“In our current modern society, I feel that it’s driven by ego, self importance and over evaluation, this film takes us on a journey and reminds us, in a subtle way, what it’s like to step in other people’s shoes from all walks of life and to be mindful of others. I feel that’s what our society is missing – mindfulness and humility. My aim is to entertain people yet bringing that sense of community back into our society, which I feel is desperately missing,” says Joy.

Stacey Copas & Cast at Christmas pre show

Leading lady, Stacey Copas says, “when Joy asked me to act in her film at our first meeting together I couldn’t believe what an amazing an opportunity it was and I pretty much jumped at the opportunity right away! I’m passionate about everyone getting an equal opportunity and I’m so inspired by Joy and the whole team who have poured blood, sweat and tears into getting the project off the ground. Our camaraderie and joint purpose on set can definitely been seen in the final edit. I’m really proud of the Casting Game; its beautifully told story which everyone will be able to relate to.”

Erica Long and puppets sml

Supporting actress Erica Long says, “During my script read, I found that with every page I turned, I became more and more immersed in the characters’ lives. The characters are all so different (in terms of their personality, ethnicity and personal background) and I loved reading about how they interacted with each other – it’s not everyday that you read a script, which reflects our multicultural society. There’s also so much warmth and hilarity in the script – I knew instantly that I wanted to be a part of the transformation from paper to screen. Pearl Tan (director) and Joy Hopwood (producer, writer and actor) are champions of diversity in this country and you really see this come across in The Casting Game. Joy specifically incorporated into her script a group of friends from different ethnic backgrounds, an intelligent and beautiful woman with a mobility disability, 2 Australian-Chinese sisters (who are more Aussie than Chinese!) and their long lost sister from China. It’s quite a feat! The different characters’ backgrounds of course contribute to the story but the characters are not reduced to a stereotype (e.g. your Asian nerd). During rehearsals we created each character’s own backstory and Joy was happy to make our suggested script changes to ensure that we were each happy with the complexity of our characters. When you watch the film, you will see that Joy has weaved a series of funny and nuanced stories together into a coherent whole and, simply put, you will forget about “diversity” as such – the end result of Joy’s hard work is that you just focus on how the characters interact with each other.”

Nicholas Brown sml on set - The Casting Game. Photo by Cassie Bedford

When asked, “Why did you want to act in The Casting Game?” Supporting actor Nicholas Brown says, “I’ve been a fan of Joy Hopwood and Pearl Tan for a long time. I met Joy several years ago when we both made speeches for the Asian Alliance for parliament We both found a synergy because of our experiences as non Caucasian actors in Australia. Pearl and I have written and worked together for several years. I’m inspired by both of these amazing women, their advocacy and their creativity. Besides fluffing I’d do anything on film for them! Plus it’s rare to see a cast so diverse in Aussie cinema. The fact that there’s no major reference to anyone’s ethnicity is refreshing. The cast are all Australian who just happen to be from diverse backgrounds. My character is a brickie! I love that. The actors have been cast against type and this is exciting and rare.”

The Casting Game, written & produced by Joy Hopwood (Joy House Productions) and produced by Priya Roy (Vissi D’Arte Films) and directed by Pearl Tan (Pearly Productions) premieres at the annual Joy House Film Festival September 10th, 2017. 4.30pm at Hoyts https://Joyhousefilmfestival.eventbrite.com.au

 

 

 

 

 

Interview with Aussie actor & Bollywood star Nicholas Brown

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Nicholas Brown is an Australian actor, singer, songwriter, and screenwriter. He grew up in the Western Sydney suburb of Greysteins. Nicholas attended Newtown High School of the Performing Arts in years 11 and 12 as an auditioned drama student and is an acting graduate from Australia’s National Institute of Dramatic Art.

Qu.1. What made you want to be in the acting industry?

Music was the catalyst without a doubt. I was a child singer and did a lot of musicals when I was young. I sang in a professional boys choir and got a taste for showbiz through that. We did lots of gigs around Sydney and recorded albums with several singers. Through song lyrics I became interested in acting. I always loved drama classes when I was young but the entry point was definitely through musicals. My dad hired a video camera back in the eighties to film one of my school musicals  and we were able to have it in the house for a few days after. At seven, I had planned a film shoot with the kids up the road and I was going to use the hired video camera to direct and act in it. That’s when I first became interested in film making.
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Qu.2. Where are you based now and what are you working on?
I’m based in Sydney after a good nine years going back and forth between Mumbai and Los Angeles. Right now I’m in rehearsals for my self penned play Lighten Up for Griffin Independant. I’ve just finished shooting a feature in Arnhem Land called Myth which is an art house road trip film engaging with the Indigenous community in remote Northern Territory. This year I’ve also shot two Indian feature films. One Bollywood horror film called Prattichhaya  and the other a spy thriller called Sedition. Both will be released next year. I’m feeling very grateful as it’s been a good year.
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Qu.3. What is your favourite role in your career & why?
Sedition is the film that I just shot in the Himalayas. The character’s name is Shiva. It was by far the most challenging role I’ve played. In Australian film and TV I’m often a supporting role so it was refreshing to play a lead. It was extremely psychologically and physically challenging so in that sense it was my favourite. The experience was rather harrowing but in hindsight I think it’s my favourite role so far for those reasons. Other favourite roles would have to be Jesus in the Indian Jesus Christ Superstar, Lumiere in Disney’s Beauty and The Beast, Tony in the Bollywood film Kites and Sachin in Network Ten’s The Cooks.
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Qu.4. Who were your role models growing up and why?
In Australia there were no diverse actors on TV. My role models were all Caucasian actors. I didn’t actually realise I was ‘ethnic’ until I was older. A lot of my identity issues would have been dealt with in an easier way if I’d grown up looking up to other non Caucasian actors. If only I grew up watching Bollywood. That all came later.  In my early twenties Ben Kingsley became a huge role model. I remember feeling very inspired by Jay L’aagalia on Water Rats and by Deborah Mailman on Secret Life Of Us.
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Qu.5
 What do you think about colourblind casting in Australia? Do you think we’re doing enough?
We’ve been lagging behind for years. It’s something that has left me exhausted, frustrated but still hopeful. It’s a hot topic now and I’ve been vocal about it for sixteen years. I just get on with things these days. I’ve been slowly chipping away, creating my own work when doors were closed. Moving to India was one of the best decisions I’d ever made. If Australia didn’t have place for a brown actor then I would go somewhere that did. Things definitely are getting better and that makes me very happy. I’m all for quotas. I know it’s a controversial subject and that people argue that the best person for the job should get the job but in an industry saturated by Caucasians actors – all of those people seen as the best are white and have reached that point because of the way the industry once was. To create a diverse industry in the future I think we need quotas to get new diverse actors (who’ve been devoid of opportunity) trained and experienced so they can be the ‘best.’ Let’s reach a state of equality, then scrap the quotas, then the best person for the job can get the job.
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Nicholas Brown will be starring in Lighten Up which will be performed at Griffin Theatre. A play produced by Bali Padda and written by Nicholas Brown and Sam McCool.
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Crowd funding Pozible campaign for Lighten Up https://pozible.com/project/lighten-up
Crowd funding ends 4th November 2016.
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Director & Dramaturge

Shane Anthony

Cast

Katie Beckett, Nicholas Brown, Vivienne Garrett, Julie Goss, Sam McCool, Bishanyia Vincent

Producer Bali Padda | Stage Manager Lauren Tulloh

Set & Costume Design Tobhiyah Stone Feller | Lighting Design Christopher Page

Sound Design & Composer | Kim “Busty Beatz” Bowers

Written by Australia’s own Bollywood leading man, Nicholas Brown and stand-up comedy star, Sam McCool, Lighten Up is a cross-cultural romantic comedy about racism and triumphantly owning your identity… and bleaching your bits!

Lighten Up is a laugh-out-loud comedy that follows John Green, an Indian-Australian man living in Western Sydney. John, an actor, dreams of being cast in his favourite soap, ‘Bondi Parade’ where blonde-haired, blue-eyed people abound. The problem for John? His skin is more brown than white, his eyes more brown than blue, his hair more brown than blonde – in fact, he’s just entirely too brown. Meanwhile John’s overbearing, skin-bleaching mother Bronwyn has high hopes for him to procreate with a white Australian woman and so cleanse the family of any further ‘ethnicity’ in their bloodline. However, Bronwyn’s dreams are shattered when John falls in love with a beautiful Indigenous woman named Sandy. Despite everything and everyone in his way, John is determined to be recognised as ‘true blue’… or whatever colour it is that Australians are supposed to be!

In Sydney, there is a large amount of ‘white’ theatre and a welcomed rise in Indigenous theatre, however the mainstream theatre landscape seems somewhat devoid of the cultural melting pot – the in-between of mixed races and cultures that typifies the backgrounds of many Australians. With so many of us from mixed and migrant backgrounds, it is from these communities that many of our stories will spring. Lighten Up is the first play by an Indian-Australian creator about the Indian-Australian community staged at a professional theatre company in Sydney.

For creator Nicholas Brown, an Indian-Australian NIDA-trained actor who has gone on to great success in Bollywood, starring in numerous films including the blockbuster Kites opposite Hrithik Roshan and smash-hit Love You To Death, the idea for Lighten Up first came 11 years ago. Initially a film script, Lighten Up was a reaction to Brown’s own experiences as a mixed-race actor in the casting arena in Australia. Of this time Brown says:

“After graduating from NIDA in 2000 it became very clear to me that I was treated very differently because of my skin colour and cultural background. At that time there was so much systemic racism in the entertainment industry. Writing about it was therapeutic. I also wanted to write a story about being stuck in between two different cultures, about being mixed race and the complications that go with that.”

Brown finally embraced his heritage and moved to India where his career soared, but he also took note of the fact that race and appearance in India seemed equally as skewed as it was in Australia – the most popular cosmetic product in India being a skin-lightening lotion. Brown recognised that there was a cross-cultural story in all this hypocrisy of human nature and so turned his attentions back to his script for Lighten Up. Brown contacted comedian Sam McCool after seeing some of his hilarious and even-handed material that focussed on race. McCool jumped at the chance to work with Brown on a new theatrical version of Lighten Up. The new script was put into development with Sydney Theatre Company for their Rough Drafts program in 2015 and caught the eye of Bali Padda, actor, producer and Co-Chair of the Equity Diversity Committee who decided that he wanted to produce the show for Griffin Independent 2016.

Lighten Up is a very clever and very funny show that tackles some very touchy subjects and treats them with both dignity and humour to highlight the multicultural, ‘real’ Australia that we see out on the streets and in our neighbourhoods. Lighten Up is a play that shines a light on human prejudices, understanding of cultural identity and what we can all learn from one another if we could all just lighten up a bit!

LIGHTEN UP

SBW Stables Theatre 10 Nimrod St, Kings Cross

Season:                         30th November – 17th December 2016

Previews:                        7pm Wednesday 30th November, Thursday 1st December

Opening Night:                        7pm Friday 2nd December

Performances:                        7pm Monday – Saturday. Matinees: Saturday 17th December 2pm

Tickets:                                    $38 Full | $30 Concession, Seniors, Groups 8+, Previews, Under 35s. | $20 Monday Rush Booking fees apply

Ages:                                    15 years +

Bookings:                         www.griffintheatre.com.au or 02 9361 3817

Photos courtesy of Nicholas Brown and Griffin Theatre.